The Baroness - photographed by Huga Arturi and stylist Jenni Hensler connect for a story influenced by German fashion and cinema circa the 1920's and 30's. Mila wears a mix of vintage and contemporary pieces for the perfect marriage between retro and modern style which is something I am aiming to achieve, my own personal twist on the classic flapper style for Daisy Buchanan. Hair stylist Gregory Alan is responsible for Mila's sculpted coif while makeup artist Christine Cherbonnier offers beauty techniques from the early twentieth century in the form of dark berry lips and rouged cheeks.
Comparing this to the Angelo D'Agostino collection I looked at earlier on in my blog, the lighting in this shoot is very similar. Although the only difference is that these images are in colour and natural lighting itself is used more, creating more of a soft, natural feel. The make-up is amazing! So inspiring and helping me think outside the box instead of just sticking to a more traditional 1920s style.
If I decided to follow through and do either all 3 of atleast one of my final looks on location, I feel that using this sort of technique for lighting will work especially well for either of my final 2 shoots. As with the scene I want to create, focusing the light so it focuses on the eyes will work incredibly well as this will emphysize more the emotion behind the eyes and create more of an emotion for the over all picture.
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